The Inca Empire in Cuzco, Peru, is most likely the place of this
ancient civilisation's human beginnings in the continent of South
America. it is a different landmass to the Maya which of North America...
the Egyptian of Africa and the Norse and European cultures of Europe.
What has to be asked is how did all these landmasses so far apart know
such unique detail of the Tree of Life?
The Inca Empire in Cuzco, Peru, is most likely the place of this ancient civilisation's human beginnings in the continent of South America. it is a different landmass to the Maya which of North America... the Egyptian of Africa and the Norse and European cultures of Europe. What has to be asked is how did all these landmasses so far apart know such unique detail of the Tree of Life? The image seen here was reconstructed from a sketch produced by a German researcher Segun Gebhart-Sayer, perhaps sourced from an ancient mural or an elderly Inca shaman. The researcher is currently being tracked down in order to clarify more of the valuable detail.This researcher's papers are on line through university archive links. It is interesting to see how the ancient Inca speak of the Tree of Life and it becomes clear why they have interpreted it as they did. They appear to have partly confused the secret of the stars with the place of The Creation. The Inca's interpretation of the top of the biosphere as the firmament has probably been confused with sacred knowledge of their biological star origin secret. The same seems to have happened with The Christ. There is interpretation here of a 'Sky Jaguar'. in my research that has already involved the research of the Inca Cosmic Puma (Sky Jaguar), from which I deduced a breaking piece of evidence that led to the deciphering of the massive Puma built on the ground in Cuzco. Note the Sun disc inside a boat, like the Egyptians portray the Sun, perhaps in dual representation here also representing the disc that flies and that shines like the Sun... the flying disc of the angelic beings they mistakenly worshipped as 'gods'. The Sumerian evidence shows the same flying disc at the top of the Cosmic Tree. The 'House of God' illustration here most likely teaches the ancients that this sacred dwelling is something 'within' the Cosmic Tree itself and the apparent great biosphere and as gathered in other ancient depictions since it also includes the SEAT of God interpretation with it seems to speak of the importance of the great 'Throne' seen in all the prime references. The waterfall seen in other ancient depictions is interpreted by the Inca as the source of their Amazon River. It is in the place described as a beautiful land with rivers. The roots of the Cosmic Tree are described as resembling light and also attach to the Cosmic Serpent. This sheds more evidence in interpreting the teaching mechanism of this enlarged encircling 'light' Serpent plasma energy as a ring around the Cosmic Tree. What is more, it is a match with the Ydrryksil Tree of Life of Norse mythology seen above. The same house imagery is also seen in the Borneo case, which follows. Souls are also described as being processed and going out again into the cosmos. Finally, recognition of an underworld is also acknowledged. How is it possible so many mysterious ancient cultures all worshipped the same celestial visitors who appear to have taught of this amazing place... of The Creation! The only acceptable answer here is that the star visitors... our biological ancestors... visited a lot of different ancient civilisations in an effort to guide us away from our destructive ways. But what did all of our ancient civilisations do?... they worshiped the messengers and kept the sacred teachings only for their elite! The carved stone seen above is one of many mysterious carved stones in Peru sourced from a collection looked after by a Dr. Javier Cabrera (ref below) showing flying beings, Nasca lines and other imagery that has been described by scholars as being too farfetched to be real and authentic. These artefacts appear to hold lost knowledge and perhaps they are not fakes. This example here is an exact match with the Mayan vase seen in the Maya story above and perhaps a way for the ancient returning star visitors to teach primitive cultures about the Tree of Life with simple yet strange symbolism in their visit after the great cataclysm that reduced humanity back to its old ways. More here 75% PROBABILITYHistorical evidence - The Davenport Stele Cosmic Tree of Life: In the American state of Iowa, this controversial artefact was produced by the American Indians who once lived there and built great mound-like pyramids. Many scholars have tried to dismiss this particular artefact's historic value. If there is conspiracy behind this artefact, what should be asked is: Why? And who would want the evidence to remain hidden? Slightly more emphasis has been added to the detail in the sketch above for a better comparison with my image below. More here The Davenport stele seems to recreate the Cosmic Tree true to the fine detail of the pillar of light with rings around it. There is also evidence of faceless beings of light performing the same linking of hands around the tree as at the place of The Creation. Some beings are lying down. Again this forms part of the teaching experience where the incumbent lies down on a panel and is transformed into a sphere before merging with the Cosmic Tree. As is the case in other ancient civilisations, this ancient civilisation's Tree of Life also inspired the celebration of the may pole. A complete account of what is taking place in the image above will follow further on. 75% PROBABILITYHistorical evidence: Egypt - Cosmic Tree of Life The beginnings of ancient Egypt suggest a peaceful civilisation in harmony with all life and nature according to the precepts of its earliest religion involving the deity Osiris. Records of the pyramid builders' graves discovered more recently show that in all probability they were not slaves. Ancient Egypt has numerous accounts of a sacred underworld. Scholars can be forgiven if they are oblivious to this being a reference to the underworld of The Tree of Life Biosphere. What academics also do not realise is the significance of references in the Book of the Dead, which also should include those travelling outside of their bodies, soon to return as 'the living' and speak of their experiences. For example, such allusions can be found in the oldest recorded Egyptian texts. They have been carved into the chamber of the Unas pyramid at Saqqara. These glyphs explain the King's journey through the cosmos, passing stars and visiting the underworld and its gate keepers. It very 'annoyingly' repeats no less than 23 times that: "The King is not dead, he is alive". The story ends with a phrase along the lines: 'Dance great king... rejoice... tell us of your great journey.' Are they asking him to 'dance' i.e. exercise his body because he has been deep in trance for many hours? Egyptian Pharaoh Thutmosis III is among several key Egyptian figures whose tomb inscriptions bare testimony to ancient knowledge of the place of The Creation and the underworld, which they called the 'Duat'. The image above depicts the place of The Creation as the place of the Amuat (Duat). In some instances of similar portrayals, a bird is depicted as sitting on top of the place of The Creation in duality (showing both sides of it as sacred, just like the image of the cosmic egg landing of Ra on the back of the Sphinx depiction that follows, where the red pyramid is depicted). The Cosmic Tree is seen as a conscious human-like being just as in the Eastern tradition of 'Shiva' and more importantly, as a conscious pillar with rings around it. The underworld shows the bird head of Horus (perhaps inspired by the Phoenix) upside down radiating the life force field outward from the underworld, as per underworld renditions of my frame of reference. Exceptional evidence can be seen here of how the life force connects stars with many suns that are shown as red orbs. This evidence that the ancient Egyptians had extensive knowledge of many Sun-like stars has not been recognised previously. Stars like our Sun would more than likely be designed for worlds that sustain life! The Egyptian Amduat - Cosmic Tree of Life detail The tombs of the pharaohs, especially the one of Ramses IV, hold more records of the place of The Creation, The Tree of Life. Note how The Creation is presented similar to how it is in Hinduism (shaded orange in image below), as human form. The cosmic serpent (plasma ribbon) is also present. The star secret physical origin of humanity also seems to have been blended into the interpretation. Here it is combined with the soul's secret origin. The three stars in a row show the way to a Sun-like star with another three stars in a triangle associated with it. See the Solomon Key . Ra is the advanced being in the celestial boat in the water (ram head mask shaded blue) around The Creation. Two beings interact on either side of the angled platform with people. Note the detail in the yellow circle. The yellow circle identifies a soul leaving its bodywhile being connected with a glistening plasma cord Above, compare the angled platform (shaded green) with the similar theme coloured panels seen in my image (earlier) of the room where the soul merges with The Cosmic Tree. The detail in the image below is of paramount importance. The Egyptians once again correctly interpret The Creation as conscious life. Their symbolism depicts The Creation as consciously 'human' (the being with tall headdress and yellow glow). They depict The Creation wearing the headdress of Osiris to symbolize that Osiris was also the son of those that came from above (like The Christ) in this epoch and that he was 'one' with the Creation. It seems arms and legs are not visible to emphasise The Creation as a pillar, or something far more important. The Creation is shown surrounded by serpent coils In the image above, the Creation is depicted as a pillar of human form bound with serpent coils. The ancient Egyptian 'Book of the Dead' describes the place that Osiris visited as follows: "He is lord of the Amduat, dwelling in a palace whose walls are living cobras." Note the presence of the Cherubim as the symbol of the Ankh (in blue glow). The Cosmic Serpent - The soul's means of travel The image below from a tomb inscription depicts the beautiful ancient Egyptian knowledge of a soul riding a plasma ribbon, a 'branch' from The Tree of Life of Creation, a Cosmic Serpent. In its journey it passes many stars before it reaches the biosphere of the 'underworld'. I interpret the red orb positioned on top of the star traveller's head as one from a star system, like our Sun, the star of Ra. It is a crown so to speak identifying those who originate from a Sun-like star of our ancestors. Red pyramid with human head - Celestial ship landing In the image below, common to important kings' tombs and referred to as the fifth hour of the Amduat, a pyramid (shaded red) with a head at its apex is shown. What can be seen here is a breakthrough matching my image of a face on a pyramid seen in my experience. The detail also confirms another recent discovery I had made as to where the celestial ship of the Cherubim deities who were incorrectly worshiped as 'gods' once landed. Ra is seen inside an oval vehicle that traverses space on the back of a cosmic serpent. The celestial disc ship therefore landed on the Sphinx's flat back as shown here! To me, the sequence portrayed here would suggest that this is the place of departure and arrival of the celestial ship. A journey between Earth from the back of the Sphinx, to The place of The Creation. See more detail of the first celestial ship landing in Egypt on top of the Sphinx Academics believe this mysterious rendition of a pyramid with a human head found inside a Pharaoh's tomb to be evidence of a 'lost' Egyptian pyramid. The text speaks of it as being in the Amduat. If anything, this tells us that it exists in the Garden of Eden, at the place of The Creation. Also in tune with Eden, this Egyptian mural clearly shows the walkway around the pyramid as I had witnessed around the pyramid in the vicinity of The Tree of Life. 75% PROBABILITYSumerian Cosmic Tree of Life The people of ancient Sumer in the Persian Gulf that is now Iraq had their own rendition of the Tree of Life. Note the beings on each side of the Cosmic Tree of Creation. The two beings on either side bare a strong resemblance to the Egyptian bird headed deities that were explored in my book, 'The Hidden Records'. These deities were supposedly advanced beings, wearing helmets resembling a bird's head. In this image like many others, there is a dual meaning to the bird portrayed at the top of the tree. The winged flying disc imagery with an occupant aboard is along the same style as that of the Egyptians, simply teaching of a disc that flies. Visible inside it is its 'god'-like occupant. I believe that in all probability the bird is synonymous with the flying craft of entities incorrectly worshipped as 'gods'. And that this would suggest that the Tree of life is watched over by very advanced deities with the technology of flight. However, since this imagery is placed above the Cosmic Tree, there are hints that it may represent the teaching of the sacred bird, the Phoenix. Closer inspection also reveals that the cosmic tree has coils binding it together. A special ornamental pillar on its own, adorned with coils, was an important artefact to the Sumerians. In his book, 'The Twelfth Planet', Zecharia Sitchin compares the advanced looking detail of this 'pillar' with an antennae device. On further investigation, Sitchin found evidence of this simple pillar in the form of a statue to be a common feature in the vicinity of most Sumerian dwellings. More here 75% PROBABILITYPersian Cosmic Tree of Life Staying with Eastern evidence, a medieval Persian painting sourced from the National Library in Paris - Research by Wm. R. Fix of the 'Order of the Seven Spheres' - shows a sacred tree at its centre surrounded by deities. The theme of a ladder is apparent. According to scholars it represents a ladder leading down to Earthly existence. Notice how similar this is to the Cosmic Tree of Life of the people of Borneo that follows below. Some interpretations of this imagery suggest that what is being portrayed, are seven heavens. Many ancient Persian scroll seals depict seven orbs in the sky and scholars have commented that they represent the Pleiades (Egyptian museum). Another possibility here is because they are merely the top portions of the spheres showing only the upper half, is it also probable that they are associating the seven stars of the Pleiades with inhabitable worlds there, one in front of the other? Perhaps they would be arranged in order of greatness and reachable through reincarnation? Each world would be better than the next, attainable only as one proves worthiness during each lifetime. Any evidence of the history of the Persian Tree of Life is hard to locate. Their tree seems to be linked to two other ancient beliefs. That of Mithras and most likely worship of Taurus (the cosmic bull that I had identified as being linked to humanity's origins) - and of Zoroastrianism. More here 75% PROBABILITY Moving even further East, to the Indonesian island of Borneo, there is also support for what appears to be the Cosmic Tree of Life. Evidence of this was found by 'Star Maps' author Wm. R. Fix in the Or-Danom tribe of the Dayak people, in the form of a bamboo decoration. The Cosmic Tree seems to pass through the centre of what appears to be a dwelling. Also note the ladder, and the people and creatures connected to the branches of the tree. A cosmic serpent is present at the base of the tree where souls enter for judgement. There is a Phoenix on top of The Tree of Life, and the 'trunk' has a ring around it just beneath the bird. The souls of many creatures are seen in the tree, as are human souls and highlighted in turquoise are what appear to be the glass panels seen in my image. What also appears to be shown are 'soul conduits' for the soul to roll down to merge with The Creation. The 'witnesses' seem to be touching these. The human beings all appear to have their arms outstretched, as if rejoicing or interacting. Would you like to know more? France - Fleur de lis - Cosmic Tree of Life The symbol of the divine light can be traced back to emblems and coats of arms of spiritual importance throughout French history. This divine light was called the Fleur de Lis. It has been interpreted as being a cosmic force field resembling the sacred lotus flower and it may have Egyptian and Hebrew origins. It is synonymous to the force field pattern of a magnetic field. Compare the flower image and magnetic field pattern with my earlier images of the base of The Cosmic Tree from my experience. A similarity with the Buddhism's sacred lotus can be identified here, where the light at the base of The Tree of life looks like a beautiful coloured lotus flower as it bursts out from the top of the sacred mountain in the Biosphere. The Fleur de Lis has a central pillar of light bound by two rings. The simple yet effective motif has resulted in this emblem being emulated in many modern contexts, finding its way into modern fabric design quite prominently. More here The Caduceus - Cosmic Tree of Life The Caduceus from Greek Mythology is found in a large cross section of seemingly unrelated ancient civilisations. This is astounding in itself when one considers that critical to the reality of all these civilisations was one unique image... that of the serpent. The Greeks interpret the caduceus as being the wand of mercury, their mythical god, or messiah of ancient Greece. The Caduceus is probably a title insignia so to speak, showing that this messenger is one speaking of truth from The Creation. A central axis surrounded by four coils of 'serpents' is connected in some way to a disc with wings. The winged disc is most likely a re-enactment of the flying wheels or celestial discs of the angelic visitors to both ancient Egypt and Sumer. One thing becomes clear, that the 'serpents' coiled around the pillar with four coils are reminiscent of none other than another already familiar piece of Egyptian iconography. The Egyptian Djed column, the artefact for The Tree of Life itself, and as a hieroglyph translated as that which gives life. No less than six instances of evidence of this precious symbol can be found when delving into the archives of ancient civilisations: In Mesopotamia, five thousand years ago. In Ancient Rome it was used as a symbol of equilibrium. In Ancient Greece as already mentioned. In ancient Egypt this emblem was adapted and was interpreted by the legendary Thoth as representing the powers of the four elements of creation: Earth, fire, wind and water, and the healing powers thereof. In ancient India it is inscribed on gravestones. In more recent times, the Caduceus emblem has become accepted as the worldwide medical emblem for healing and medicine. More here Lapland - Cosmic Tree of Life The Cosmic Tree imagery once again becomes apparent when examining a Lapland shaman's interpretation of the place of the Creator. A central pillar 'reaches upward towards' a deity, presumably the Creator, holding branch-like items suggestive of The Cosmic Tree imagery (possibly representing the branch effect which is becoming increasingly evident in so many accounts). The 'holiness' is emphasised here where beings that have the greatest haloes are more holy. The largest halo is that of The Creation like Shiva on top of the pillar itself. There is one ring around the pillar. Animal spirits are included here. There is a ladder analogy again to the Earth. The Biblical Genesis text - The Cosmic Tree of Life Genesis 3:1-6: In the biblical Genesis account of Adam and Eve in the Garden of Eden, a serpent was described as being coiled around the Tree of Life. Genesis 2-17: I isolate this text as instrumental to this reasoning, as to why I believe Adam and Eve were forbidden to approach the Tree of Life. The question one should ask is: Was it the Creation or the Angels who issued this command? When people that are n… truncated (21,986 more characters in archive)
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