If You Can’t Tell the Difference…

AI artists are getting death threats.

I’m guessing most aren’t from actual creators. These are mostly the ‘ethics in game journalism / flute protector people. And of course AI artists are getting hate mail. Of course they are. But you know… I didn’t see it coming.

It’s made up my mind about something, though. I’ve been ambivalent, about calling prompt crafters “Artists”, with a capital A. Now that they are braving death threats and hate mail to share their work?
They’re artists now. If they want to identify that way. And, you know, as with pronouns and such… Why do you think your opinion about someone else’s identity is important?

Who decides who is a real man, a real woman, a real artist?

The core reality of being an Artist is that it sucks in significant ways. All fun and joy and humanity in the activity is balanced by various forms of social punishment, and ‘free-market’ abuse.

If you spend too much time making art, to the exclusion of practical pursuits, many will think you’re childish, a narcissist, a parasite. When you DO make a living you are envied, critics point out you don’t DESERVE your money or attention… It sucks. Nobody questions whether you are a real accountant or not. A real brain surgeon. A real insurance adjuster. A real CEO.

If you sell art commercially, you’re a hack and a whore. You’re always derivative, if you sell commercial art, because there is always some tradition you emerge from. (Is Boris Vallejo copying Frank Frazetta, are they both informed by a shared renaissance tradition?) If you sell into gallery spaces, you’re a social climber / poser / con-person laughing all the way to the bank, with your installations of piles of candy and defaced Mona-Lisas, wall mounted urinals and empty canvases, etc etc etc.

So, at the moment, millions of AI artists spend millions of hours at this, don’t make a cent, and get death threats for sharing the work for free….

Sure sounds like art to me!

Or these AI artists sell into the NFT speculative bubbles, and are hated for their financial successes in the same way people hate gallery artists for working that system of getting the world to barf up some cash so you can eat. Many of these NFT / Artist people are doing quite well. Humorously, the people who hate the AI artists are often super into blockchain and NFTs.

Tautology time. Art is art. People make art in lots of ways. Prompts are one way.

The hatred of AI art, as unearned riches, is fucking ridiculous.

Nobody makes art only for the money. Nobody! People who are interested in making money go into the financial industry, because the financial industry is the best way to acquire money, without making anything at all.

Fiddling with markets, tricking one group of rich people into giving money to other groups of rich people, pocketing a cut, makes far more money than actually working, making anything, does.

Some artists who make art figure out how to make money doing it or being near it, but no kid draws a stick figure to get into MoMA.

The written word didn’t destroy the oral tradition, photography didn’t destroy oil painting, digital painting didn’t destroy oils, machine looms didn’t destroy hand weaving and on and on and on and on AND ON.

Everything you you think that technology did to anyone was capitalism doing things to people. Democratic governance letting those things happen.

Capitalism never worked the vast majority of artists.

And, very very soon now, capitalism isn’t going to work well for many, many, many people, who did the right things, went to the right schools, who learned how to do difficult things.

To the individual, I say one thing. Learn the new tools, the new trade, use it to level up, as a quality and productivity booster; get so good they can’t fire you; AI art is good at some things, but at this point, it is never as good as a human in many, many ways.

It’s your job to max out that dimension in your work to stay afloat.

Stop complaining and get on with it.

More broadly, what I am saying is we need a system that doesn’t discard one set of people as technology empowers another, using that disruption to lower wages. (Uber bypassed Taxi medallions, which are starting to look like the years it takes to learn how to do certain digital paintings.)

The owners, the shareholders, pit these groups of workers against each other. Only so many seats in the free-market lifeboat, after all. Sure, half of you are going to drown, but that’s a good thing. For the shareholders. Don’t you deserve to drown, really? So someone somewhere can get much richer?

Take two steps back, instead of one; capitalism never worked for the creative class. Ever. The fact that we have so much great work is a fucking accident. Orthogonal. The market never monetized Van Gogh in a way where he supported himself. The estate, the shareholders as the work became a product, did.

We need the arts, the humanities, they literally make us better people, more humane, in studies I have linked to and can link to again, and the ‘free’ market is a shit way to pay for the humanities.

If you find yourself hating AI art, support traditional artists for fuck’s sake. Buy a fucking painting, and if you have never bought a goddamn painting, shut the fuck up.

Stop following people who share AI art or make it. Don’t have gay sex if you don’t want to, don’t get gay married if you don’t want to, don’t change your gender if you don’t want to, don’t cut your dick or tits off if you don’t want to, don’t smoke pot if you don’t want to, don’t get an abortion if you don’t want to…

CHRIST this shit isn’t hard to figure out.

How to be a good person, I mean.

First Midjourney AI art approved for US copyright!

So, the first piece of stable-diffusion generated artwork has received a US copyright.

from Ars Technica:

The registration, effective September 15, applies to a comic book called Zarya of the Dawn. Kashtanova created the artwork for Zarya using Midjourney, a commercial image synthesis service. In their post announcing the news from Tuesday, Kashtanova wrote:

 I got Copyright from the Copyright Office of the USA on my Ai-generated graphic novel. I was open how it was made and put Midjourney on the cover page. It wasn’t altered in any other way. Just the way you saw it here.

I tried to make a case that we do own copyright when we make something using AI. I registered it as visual arts work. My certificate is in the mail and I got the number and a confirmation today that it was approved.

My friend lawyer gave me this idea and I decided to make a precedent.

The U. S Copyright Office’s last word in 2021 was that an AI couldn’t hold a copyright, as you know, AI’s aren’t human, and toaster’s don’t own copyrights. This case, as it turns out, was sort of… stupid, as it decided that ‘without a human hand,’ nothing made could be copyrighted, as the judge perhaps imagined the AI was spitting out art on a magical whim, rather than the art being generated by a human prompt.

Of course, the AI could have made art with a random number (seed) generator, so the judge would have been confronted by an ‘autonomous’ AI.

It’s a reasonable question; can an AI own something? The answer is no. But the judge had no need to talk about the ‘human hand’ at all, because people have been making artwork without ‘hands’ in various ways for over a century. Human hands aren’t necessary to create authorship of art.

Warhol famously said his art contained as little of his handiwork as possible. Of course, humans made the prints, but, the artist’s name didn’t mean he actually printed that piece. He said this publicly. Because, as often is the case with fine artists, he wanted people to be confronted with the question… what is art?

Warhol started his as an illustrator / graphic designer of course.  So he was familiar with the question, from the ‘this is not art’ side of the equation. Illustrators make illustrations, not Art.


But ‘what is art’, and ‘what can be copyrighted’ are two different questions.

How did Andy Warhol create art in his factory. And yes, he called it a factory. He conversations with people, workers, he did not call them artists, and paid them as little as possible

He gave them prompts.

Of course, he made the originals by hand, at the beginning, all those soup cans were painted by a practicing craftsmen, boiling with artistic temperament, not as a snide commentary, but as Art for Art’s sake. Without any idea of where that might lead.

Oh, And he was painting…. wait for it… someone else’s IP!

AI art, Midjourney, and the future of visual communication….

Nothing has slapped the future in my face the way AI art has.

With the personal computer, mobile computing, the internet, I was the frog cooked to death by degrees. An early adopter, a science fiction reader and writer, a futurist, I imagined these things before experiencing them, and was able to accept them pretty quickly.

(Oh, you should know that in reality, the frog isn’t cooked to death by degrees, it jumps out, which calls into question the metaphor but never mind! Remember that, though. It’s important. The frog jumps out. It’s the only hope the human race has, by the way.)

Synthesizing images with prompts with an AI GAN has been addictive, transformative, and has made it ever more obvious to me and to anyone paying attention that we will soon need UBI—base income, or something like it.

The GAN that spit out the image above (which I massaged a bit in post production) is a generative adversarial network, a kind of neural net machine learning thingy. The way it makes stuff is hilariously similar to the human creative process. (this will make AI art hard to outlaw, but with humans of course, anything is possible.)

The GAN, like any art student, looks at art and photos and images of all sorts (this is the training set. Made judiciously by a human respecting the property rights of others, OR by pointing at the web and saying, ‘devour everything we’ll get permission later’. Guess what happened? Hah hah. Heh. Oh.)

Some hunk of code in the GAN, the G part, for Generative, makes a new image, boiling into visual atoms and then reforming the training set (to order, there’s a client, the prompter) and another bit of code, the adversary, the critic, decides whether or not the image matches the prompt word.

Or _words_, which can be _any two words_.

The adversary says, “you suck, do it again,” to the generator. (Very much like a client.) and the generator happily makes another. It may do this thousands of times. And you see what the issue is here. This is going to be hugely useful, because you can’t get humans to redo things thousands of times without them trying to kill you, also, with the GAN, it takes three minutes.

Gelato robot? Sure. Make one of those. Hm. It’s a robot scooping gelato. Fiddles with prompts. It’s a robot covered in gelato. Screws with prompts for an hour. It’s a robot made out of gelato. Or maybe you can never get that. So you make a bot out of gummi bears instead, and it can do that. But not jello. Oh, but glass it can do glass.

And on and on.

Oh, and the GAN isn’t limited to nouns and adjectives. It will also render out intangibles, like The Meaning of Life, or The approaching Singularity. Big abstract things tend to turn into landscapes. When midjourney is very confused, they are teal and orange and have pretty skies, clouds, and sunsets. It’s as if the GAN is trying to ignore the fact that you gave it a bullshit input.

Here you go, it says. Enjoy this pretty thing I made for you. Look at a sunset, meatbag.

So, you need to get over this anthropomorphizing of the tech…. and you will, after 100 hours or so. ‘The meaning of Life’ is just something IT typed into a search engine, or rather, what the taggers and trainers did, and they found sunsets and inspirational posters, so, you know.

That’s life.

The GAN is obviously generating useable commercial art, valid visual communication, illustration, concept art. BUT is it REAL art?

Uhh…. Christ. Look, dude, NOBODY cares about this question really, at least, not when it comes to most people making images, the whole ‘is it art’ thing. And if you are still angry that Jackson Pollock paintings remind you of your kids splatter paintings, your opinions about art have been an old man shaking a fist at the clouds for decades anyway, right?

Many of those angriest at AI art haven’t been in a museum, or seen a real painting, for a decade. Oh, and they’re angry about the art there, too.

What is art? Fine art is what fine artists sell to art buyers. Mostly big institutional collectors and galleries. Sometimes Joe who buys something for over his sofa. But there aren’t many Joes. Most people consume most art as a commercial product, which is what we are talking about with AI art.

Commercial art is all the non-art imagery people get paid to make, used mostly as packaging and entertainment. And yeah, lots of those ‘artists’ craftsmen, production artists, imagineers…  will be experiencing big shifts in their employment, rates, job titles, Real Soon Now. When the laws get worked out.

Which could take years.

Finally, Art is anything anyone makes for the sheer fun of it. If they want to call it art. Whether anyone buys it or not in their lifetime. Art is the human spirit making stuff, the way bees make honey, because they have to and, as with bees, the artist never has any leverage in the marketplace anyway, AI art or no, because, you know. Bees have no unions.

Nobody does double entry accounting on a desert island. But they’ll make art there.

So, now you know what art is. You’re welcome. Moving on. I have written about 20,000 words on AI art, commercial art vs fine art, and how new tech transforms visual communication over the last few months as I made images. I have a piece in the current issue of Future magazine, where I helped the editor with a cover made by Midjourney. 

So. I’ll be curating some stuff here soon, the stuff on Facebook and Twitter, which will get another pass, another polish, before showing up at this little frozen banana stand, for the five people a day that make that odd detour off the interstate to take a gander at The World’s Second Largest Rocking Chair.

That would be this blog. Me. Maybe I’m the third largest, actually, as the second one is in Fanning, Missouri.

At any rate. I’m making the illustrations now I wanted to make when I was 16 years old. It’s fun!

And so, the profession I have been chasing for decades will soon be shrinking.

Very, very quickly.

Edision: the future in motion, EV car review

I wanted to talk about a new company, Edision, which is on track to release its first electric vehicles in about nine months. They’ll be available in Europe for at least a year before a model custom tailored for the US market is released.

Its first products will target the luxury market–because that’s how all these things start out. Its mission statement claims profits from these models will be used to subsidize the rollout of barebones, low price / low cost models for the developing world.

This is how the company claims its cars will reach double the carbon reductions of competing models. It’s a BOGO thing, where the ‘get one,’ is happening in another country.

These kinds of charitable mission statements make me sad, as it’s generally a sign of a doomed effort. I don’t know if it’s because do-gooders can’t do capitalism, or if capitalism cheats and drives them out of businesses so the model doesn’t get a foothold.

But I have high hopes for this effort. You can visit the Edision site for the specs. If you’re wondering about that featureless red dome, the Ladybug model features a wraparound video-feed display inside that allows a planetarium style viewing environment. (A traditional mode simulating a roof and side supports is provided as early testers found the virtual open cockpit nauseating at speed.)

One advantage of this design for the uber wealthy, for whom it is targeted–a Kevlar layer lining for the interior of the dome; the whole vehicle gets a bulletproof layer, three actually, one around the passenger compartment, another around the vital control systems and electronics, and a third for the electric motor / wheel assemblies themselves.

The tires are self-healing,. They say the ride gets bumpy, after you drive through a stream of machine gun fire, and the top speed drops from 140mph to something around 100, but that seems more than adequate.

Third parties are providing aftermarket mods that support swiveling gun ports (there’s enough room in there, on top of the battery, which makes you wonder if this was planned all along…) and or a small rocket launcher (that hood ornament can iris open.)

Anyway, this thing is priced to be competitive with TESLA models. There’s some yelping, from the ‘greener than thou’ crowd, about problematic sourcing for battery materials and manufacture, as the supposedly squeaky clean company is buying from workers being treated poorly by developing world manufactures.

But you take the good with the bad.

The cheap barebones models won’t be sold in the US, alas, though one wonders if there won’t be unauthorized imports…


Oh, wait, I made this with Midjourney. And of course, the lifetime in the graphic arts, graphic design, UX design, web design, motion graphics, industrial design, photography, corporate Identity systems.

Blah blah blah. I’m old.

Oh, one on one tutoring sessions via the video conferencing platform of your choice in Midjourney are available in September. Reply here if you’re interested in learning how AI art can be of use in your career.

The Outsider’s Slow Motion Success Story

As you read, and daydream about being a writer, you accumulate great expectations based on the experiences of a handful of heroes. But I’d be willing to bet there are more professional sport players than there are writers who make a living making making shit up.

Many more.

These unexamined assumptions bubble to the surface and pop and effervesce away as you start really writing, finishing, and submitting work. If you suffer from any kind of depression, unipolar, bipolar, or are the kind of person intimidated by the odds, every bursting bubble erodes your confidence, eats away at your focus. So, you know, best that you don’t have ADD either.

Because the hard part about writing, for most, isn’t actually writing. It’s the expectations around having written. About how your work is received. It’s an on-going postponement of a dream, or the continuous cultivation of new ones as you find your place in the literary world.

Which may remind you, a bit, of feelings you had in high-school.

Hm. How many writers read that and said, “Welp. I’m done. Thanks asshole!”

So,  here’s the thing, when you are a late bloomer… you are gonna feel like an outsider. Probably. No matter what. Again, I am not trying to get you to quit. I have loved writing. I hope I keep writing. But I struggle with expectations almost every fucking time I write a goddamn word that isn’t social media. I know that I’m very lucky. I have a bunch of tick marks burned into my permanent record that will never cause me grief. I’m starting out, in everything, three yards ahead of a ton of people.

But… in my writing? I’m still a goddamn pimple-faced, coke-bottom glasses wearing, homophobically bullied twelve-year old middle school basket-case.

That outsider thing… it’s mostly an illusion for me. Publishing is a brutal business. My glimpses of it, through the careers, abortive careers, and friendships in the industry, bring to mind the words, “Darwinian hellscape.” Not in a smug libertarian fittest surviving way, but in a million tadpoles winnowed down to ten frogs sense.

Heinlein bragged that he sold every story he ever finished, and I grew up with the myths of these golden age writers. Middle class incomes for midlist writers, this famed camaraderie in the genre, convention life, the generosity of editors who acted as unpaid co-authors, pouring hours into manuscripts for young writers who of course looked just like them, a world with ten times more magazines buying short stories, all these historical facts–and PR myths– get in your head and fuck with expectations.

Middle aged women are now confronted with bidding wars for photogenic 20 year old YA fantasy authors debuts; we see careers like those of John Green launched from youtube channels. This kind of thing.

So many young, beautiful writers in interviews and headshots.

I keep meaning to go to a cartoon avatar. That feels dumb too, of course. My expectations keep getting in the way. I worry about bothering big career people in social media. Even people I have known who have passed me by, that I came up with in my explosion of pro magazine sales, (mostly Asimov’s) publication years, after I turned 50.

I don’t think that anyone doing the work doesn’t deserve what they get for it.

I just wistfully wish there was more of it to go around for all of us.

The things I have gotten, stumbled into, won, earned, whatever word you want to use. The things I haven’t gotten. yet. The things I know I never will.

I remember walking home from a workshop with this awesome late 20 something, who I admired and wanted to help in any way I could… they admitted they hadn’t read my most successful debut novella (I’d work shopped a lot of their stuff) because, you know, what I’d written wasn’t for them really, was it? So they’d never read it. Honestly is a good thing I know. I wouldn’t bring it up again.

We kept hanging out some after that… they were a real alpha type. Generous, warm, funny, talented.

But I hadn’t realized that I was writing for middle aged people. Look, I love me some middle aged people. But if I’m only writing for middle aged people…

Expectations.

Because when I was young and beautiful I was in love with a bunch of random, lumpy, awkward middle-aged folks, or elderly people, crusty funky people, many of them already fucking dead at age 50, 60, or 80.

So the dream deferred blurs and morphs in my mind, daily. I struggle to reach it, drag it within reach, and I have learned sometimes, to work without any hope for a readership beyond a workshop, struggling to let go of expectations, and just do the damn thing.

And always the dream shimmers like a heat mirage on the horizon. I try to accept that maybe that’s all it ever is, for all of us, really. That we learn to enjoy the ride. Blast the AC, turn up the music, eyeing the fuel gauge.

The world a beautiful and lethal desert all around, a golden plain under a chrome blue sky. You pass a sign designed to ward you off–there is no service station for hundreds of miles.

You do a rough calculation in your head. At least there are no hills in view. For you, on this road.

Crack the window, stick your arm out and play with the invisible force of the slipstream as it sluices through your fingers.

Enjoy the music. Old music, by dead men, who looked a lot like you. When you had hair.  Smile you miserable fuck. You’re so much happier when you smile.

One way or another, this journey has no end.

Didn’t you know that all along?

But You Keep Writing Anyway

There comes a time when you realize you’ll never take the writing world by storm. Like your heroes. You aren’t a prodigy.

But you keep writing anyway..

You won’t sell your first story to your favorite magazine. You won’t sell all your stories. (A few folks do!)

But you keep writing anyway.

There comes a time when you realize that your day job goes on… well. Maybe forever. You may realize this before or after you start selling things. Before or after your first story or novella or novel is published. Before or afterr you first award nomination. Before or after your Kirkus reviews. Before or after your Hugo or Nebula award.

But you keep writing anyway.

There comes a time when you realize you will never be a fresh face. Your author photo for your first book, if it ever gets published, is gonna be this worn around the edges middle-aged person. Nobody will ever look at you and want to be you. Not if they have to look like you, be as old as you. Your face will not sell a single book. Your books will have to sell themselves.

But you keep writing anyway.

You eventually realize that your books will not do for you what books written by others do. You are performing magic tricks, that work best for others. You can amuse yourself, but you cannot tickle yourself. You can surprise yourself, but after that moment of surprise, there’s a ton of mechanical toil.

But you keep writing anyway.

There comes a time when it gets harder to read; when things you read and loved no longer work for you, when you grow jealous of authors of things you cannot imagine ever writing, when you grow weary of reading things you feel you could have written yourself. Or written better.

But you keep writing anyway.

There comes a time when it all gets to be too much; the ambivalence of friends, family, workshop, market, editors, awards process, agents, publishers, one star reviewers. The pile of unsold work so much taller than the pile of stuff sold. The mental calculation of how much per hour writing has made you. If anything, after you factor in the courses and retreats and professional memberships and research expenses.

And you stop writing. For a time. You have better, or more necessary, things to do.

And those other things consume you, and then, recede, and the disappointments fade, and the memory of the accomplishments glows, and the friendships shine brighter than the ambivalence and tribal bickering. You remember this hidden world inside, infinite, largely untapped, your own godlike ability to imagine into being that which would require billion dollar budgets to render on film.

Nobody needs to green light you—except you.

You get the exact same blank page to write on that every single writer you ever loved was given. Your materials are just as good.

Language. Introspection. Focus. Effort. Will. Reason. Unique experience.

You have time. Some time. Some have more time than others. That isn’t fair. That doesn’t have to stop you cold. You have some time. And you can do this. Because you have before, And you are still you, a version of you, and will always be some version of you.

And you find yourself writing again, for no reason, for fun, with no expectations, with great expectations, and when you write, you’re a writer. You get to be one. You are one.

For as long as you want to be. For as long as you can.

The posts you imagine writing when you’re off social media

So I cut my social media diet by about 95%. TL;DR. It’s weird. Mostly better. Sometimes… I’m not sure how I feel about it.

My mother quit smoking when her mother died. She said, “I knew I was going to feel terrible, so I figured, why not get both things over with at once?”

Of course, her mother’s death, fromCOPD caused by smoking.

Still, it resonated. “I was going to feel terrible anyway.”

So, while I felt terrible about my parents deaths, I cut out social media. A writing friend who is 10x more productive than I had been shaking their head pityingly for years now, lamenting the novels melting into conversational typing funding right-wing billionaires.

So, the problem with my experiment of course is I changed two variables at once. What’s really changed?

Now and then I search my feeds, groping for adrenal rage in the shared comments of ‘friends.’ (Some of my social media friends are actual friends; at over a 1000 in both platforms of course, many are just contacts.) This sickening urge to unfold a comment string to find something stupid, detestable, so I could feel that surge of strong emotion. So I could verbally spar with an asshole. Somewhere to scream my sadness, rage, and misery at the world.

As I do that… now… I stop. Every now and then I compose a reply… and delete it. But I like and share the odd political post.

But liking and sharing is the tinder, I should say kindling, of the feed, the raw material social media uses to generate ‘engagement’, (IE, disunity, anger, polarization, outrage, depression, social humiliation and shaming, and now and then, actual violence).

So I don’t feel good about political liking and sharing either. But… you feel like you need to make yourself known, take a side, and it’s very hard not to imagine that social media is a good place to do that. All evidence to the contrary.

Social media discontent seems pretty good at wrecking things. The Arab spring ousted some miserable governments. Which were gradually replaced by equally miserable governments. Because social media uses algorithms to magnify amorphous discontent… without empowering the creation of organizations that can turn anger into lasting social change. Or rather, the rage comes first. This is the force that causes people to rise up, slaughter the ‘bad’ guys, and then mill about wondering what comes next.

Which is the next monster taking advantage of the chaos.

Move fast, break things, has long been a silicon valley motto.  Unspoken of course, is the idea that the basic fabric of civilization, the infrastructure, that must remain unbroken is Someone Else’s Problem, Primarily the governments that the techno-libertarian right wing majority tries to dismantle, to shrink to bath tub drown-able dimensions.

But I digress.

Broadly of course, this is about my own response to social media, and in that personal-is-political way, thinking about how my abdication might scale. A movement rising up from the twenty people that read this blog to CHANGE THE WORLD! The social media come-on. The viral lottery. Say something clever? God forbid, wise? It blows up? That’s social capital! Platform building! Which can turn into real money! Or Social change! Or something good!

So, we plunk our quarters into the social media slot machine, praying for the jackpot, and now and then that happens. But we know, or should remember, that the real winner is always the house. Run by gangsters for profit, who move fast, break things, and laugh at the grown-ups who scramble in their wake to pick up the pieces.

But I will have to adapt to social media somehow. And hopefully society does too, in my lifetime.

And I know much of my disillusion is simply the collapse of my previous delusion. No golden age. There was never a golden age. Maybe the fights are just out in the open now. Maybe nothing has really changed.

But I feel weird.

Taking a huge step back from social media, coping with the loss of my parents generation, feels like growing up.

Not fun. But necessary.

On Being a Casual User of Social Media

So, it took a few months of daily effort to step away from Facebook, and the daily news habit that was its co-morbidity. Peeking at it now and again, I see how my feed has adapted to my absence; see the same folks talking about mostly the same stuff.  I miss the life events, large and small, of people who had become friends, facebook friends, people who edged into the real friends who don’t live nearby category. I contact a few in messenger now and then, and they contact me. But it’s sort of like work or school friendship, that can be real, and intense, but still mostly based on proximity. A few of them had strong reactions to my writing, mostly to the FB writing, but one or two to my fiction. Maybe three.

I had a dozen or so strong supporters, to some degree of my writing, but to a larger degree, people who supported me generally, as a person, in my day to day struggles. I miss them. I think about going back for them. I was this person for a few folks, too, I think, but always, there were others. So you don’t worry too much about stepping away.

One of the many FB is different than meat-space. You don’t feel like you leave a vacuum when you vanish.

I am billing more hours on my less creative contracts, maybe walking more.

I’ve added the FB people I miss to my parents, still, a year after the death of one, two years since the death of the other, Maybe this explains the persistent melancholy. The thousand plus a day COVID deaths and Omicron wave, the end of that feeling that we might get on top of this in a serious way, has also contributed. The death of the dream of a new progressive era caused by a handful of traitorous ‘democrats’, DINOs, also contributes to a sense of loss.

The political stuff, without stimulation, becomes less rage, and more acceptance–or is it resignation?

The serenity prayer. Was I guilty of weirdly empathizing with a team where I was 99.9999 percent a spectator?

I have a friend active in local politics who went from hard working volunteer to a player, in a very large sense, making decisions, or rather, steering a process towards decisions, that matter. A dedicated progressive, much of what she is doing now if preventing a radical left fringe from doing poorly thought out stupid shit. Successfully.

It’s too bad the sane stuff needed to save hundreds of millions of lives over the next few decades, and reduce human misery hugely, can’t get past the bottleneck of bigoted, know-nothing racist vampire capitalist theocratic hypocritical opposition, the monster that the GOP has become. (Yes, I know; only 80-90% of them. Sure. Whatever.)

But here’s the thing. I’m one guy. I’m not the voice of a movement.

I’m at best a footsoldier of a national movement. I’m politically inert lodged in a group of comfortable mostly progressives in Cambridge. (Somerville, Cambridge’s somewhat more affordable neighbor without the prestigious universities, is much more progressive now.) I donate a few thousand bucks of family money to causes, do a little phone banking, and vote. That’s it.

I no longer preach to a choir, any more than I just did, above. A few tweets. No FB posting. I go on much too long on FB. Like somebody standing on a balcony, Mussolini like.

I am, well, I was going to say limping along, on my novel, but maybe that’s just my process. I hope to gather steam on it.

Anyway. It’s 2022. I try not to think of it as the year that the democrats lose all ability to do anything but very temporary executive actions that will be hamstrung by SCOTUS and wiped away by the coming red wave. I will try to think of it as the first year without any one year death anniversaries, a year where my family is strong and healthy, and our own personal circumstances good. A year when I could do a lot of creative work, and bill a lot of hours, and interact with a smallish number of closer friends. While missing some people.

But let that go. Accept the things I cannot change. Be here now, in a less diluted, less agitated state.

Enjoy the time I am given. None of us go on forever.

That Was Our Time

I had a conversation with my father, in his eighties now, about the sixties, the early seventies, I think, and he said, well, that was our our time. And I knew what he meant, because I felt it too, like the 90s was my time, the swelling of that first tech bubble and the way I was sucked into the beating heart, and febrile mind, of late stage capitalism, taking my part in the Zeitgeist that would breed the quartet of IT monopolies that would shape the next few decades. Living breathing a futurism blissfully ignorant of the coming surveillance oligopolies.

The SF I’d loved my whole life coming true. The Asimov and the Gibson, both at once.

Making a hundred dollars an hour, too. The money pushing away my writing without a ton of resistance.

But time marches on and the towers fell and my kids were born in the swirl of ashes and the future went Abu Grahib dark and flared bright again, in the glowing smile of my favorite Kenyan Crypto muslim robot from the future, and now is darker than ever before, approaching the midnight gloom of the Cuban Missile crisis, into which I was born. 

My time seems to have been brief indeed, the flicker of an eyelid, but I guess everyone’s time feels like that. 

So. I fell off the stage and broke my leg but my eyes were open, on the way down, and I watched my kids, and cared for them, and they were creatures of this time, and so I was sucked along in the moment, painfully awake, prickly and weirded out and exhausted and alternately happy and very very sad, which of course is probably just the bipolar. But who knows. 

So, like all parents, I’ve seen life twice through, all my milestones now a double vision. 

I’m at this age where men can drop dead and people go, “oh, really? What was it?” And the answer is generally, “Heart thing,” and the regret thereafter is tinged with a ‘well that’s life’ kind of vibe.

So it’s hard to know what to do next, with one’s time.

I’ve watched men my age rewrite old stories. Stories that no longer adhere to the present in any meaningful way. I’ve watched them retire, give up, become worse than irrelevant. I’ve watched them become despised, for doubling down on statements they failed to understand as despicable.

Could I be a late bloomer? Or am I just fading out, like Hey Jude, repeating myself as the volume drops and the hiss of the needle in the groove swallows up the murmur of my voice. Before the needle rises from my spinning disk forever?

My kids are older and leaving  home and I feel my attachment to this time and place and world stretching thin. Bilbo’s butter over too much bread.

But… Maybe I’ll be better off in another world. Of my own creation, undisturbed by the noisy now.  Or wherever it is we go when we go, if my next pratfall off the stage lands me at an awkward angle. Maybe I had plenty of time. Maybe I did something.

I don’t feel like I did, but then, that’s probably the bipolar.

At any rate, here is to you, dear reader, to you and your time, and what you do with the time you have on your hands right now. Do something that matters to you. Make something. Love someone. Listen to new music.

Enjoy the light. Your time under the sun.

Staring Into the Sun

I’ve been thinking about death a lot lately. If death is possible think about it. Grasp, believe in, and truly accept.

I’m only young now to an 80 year old, but I have like a young person dealt with death with denial. Intellectually I know about it. I don’t believe in Santa Claus or Heaven. But viscerally, even though I have at times been suicidal, I have never wrapped my mind around my death, or the deaths of those closest to me.

As COVID takes a 911 worth of lives every few days, as I grapple with the deaths of my parents, my ending becomes more real, and yet, never comes into focus. It’s a hole in my retina. It’s in my blind spot. I catch glimpses. Evoking horror. Or a curious numbness. But mostly, I’m no closer to any understanding or closure.

Instead this gasping fear, this hideous dread, of finding myself in the hospital or hospice bed with my sad family gathered around me. Saying goodbye.

Or it’s an abstraction, devoid of panic, fear, only a mix of sadness and an attempt at acceptance and resignation. Aphorisms. For everything a season. He lived a rich and full life and was loved.

Everything dies, my mother said. That’s just the way it is. And if I’m going to die, I wish I would and get it over with. This said while she was in uncontrollable pain for a month or so.

So I’m left wondering, what do I do with my fucking life, now that I know, at some level, my days are numbered? What matters enough to do? To give myself to utterly?

It’s down to writing. Some part of me wants to join some mythical brigade of tree planting climate warriors. Or armed defenders of the weak against the rising right-wing white supremacist GOP fronted menace that threatens anyone and everyone but those most like me. But what the fuck, when has that ever been me? I got closest to that with my trans kid, writing about and learning about them, fighting online for them, and once virally boosting a boycott that helped shut down a few right wing radio jocks.

I had businesses contacting me begging to be taken off their show’s sponsor list.

But mostly I have gamboled and angsted perched on some high terrace of Maslow’s heirarchy of needs.

And I want to throw myself into something. Completely. Make some small mark. Be for something. Be about something. Time not on my side. At an age when many of my heroes have been dead for years.

Trying not to stare into the sun and blind myself. Trying to snap out of the daydream of immortality. Withdraw from the anodyne of streaming media. Leave the party and roll up my sleeves and get to work. Work eighteen hours a day, to make up for all the lost time. All the self-indulgence.

Until the end.

Until I am dragged, kicking and screaming into the unknowable.